Recent and not so recent Japanese dramas

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Re: Recent and not so recent Japanese dramas

Post by HungFist »

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Ran into this film by accident. 14-sai no harawata. Has a lovely trailer:
http://www.youtube.com/watch?v=HG7jyxCIeZ0

Here's some info:

"This is the 4th series of Tollywood Studio’s “commercial film production by the students” project. A female college student directed the film based on her own experience from her junior high school days. Harada Wataru who calls herself “Hara Wata”, is a 14 year old girl who lives life at her own pace. She is not interested in being at the top in her class, nor being an attractive fashionable girl. Hara Wata’s plain world reminds us of something warm in our life. 60 min."
- http://www.newyork-tokyo.com/wp/j-film2009-database/

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- http://www.imdb.com/title/tt1525783/
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Re: Recent and not so recent Japanese dramas

Post by Yi-Long »

Trailer looks like it was shot for TV or something, and the supporting cast look well over 14, which is always a turnoff...*

(* = it's a turn-off in the way that they're supposed to play 14 year olds but are clearly older.... not a turn-off in the way that I'm some sick perverted pedophile who only likes young asian schoolgirls.... like Grim)
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Re: Recent and not so recent Japanese dramas

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I don't know if it will be good, but visually it's pure greatness judging by the trailer. Wish more directors could do good looking films like this.

And damn Reina's hair looks so great in this one.

As for supporting cast Mizuki Mizushima was 14 when the film was made, Reiko Igarashi was 15.
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Re: Recent and not so recent Japanese dramas

Post by Yi-Long »

HungFist wrote:I don't know if it will be good, but visually it's pure greatness judging by the trailer. Wish more directors could do good looking films like this.

And damn Reina's hair looks so great in this one.

As for supporting cast Mizuki Mizushima was 14 when the film was made, Reiko Igarashi was 15.
Supporting cast LOOKS older, so I assumed they were 18-19 or something. Maybe japanese schoolgirls really are freaks. Now the whole schoolgirl fetish makes a whole lot more sense as well. :D
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Re: Recent and not so recent Japanese dramas

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Good Morning to the World!! (Sekai Gudo Moningu!!) (世界グッドモーニング!!)

Stupid sounding plot aside this sounds promising. The pictures at leat look great. Hoping the film will be in the same alley-

http://jfilmpowwow.blogspot.com/2010/10 ... world.html

+

Recent semi-interesting dvd release: Echo of Silence (コトバのない冬) (Kotoba no nai fuyu).
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I don't like the visual look if this but the film looks a little bit interesting. It's taken forever to come to dvd. I think I first saw this trailer like two years ago.
http://www.youtube.com/watch?v=0ZYEWdkFc7s
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Re: Recent and not so recent Japanese dramas

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Hatsukoi (初恋) looks interesting. No, not the Miyazaki film, but a 14 minute short film directed by Takehiro Uchima (aka TAKE), and produced by Theater Picture Works (an Okinawa based indie production team). It's had a few festical screenings but no dvd release as far as I can tell. Some of their other works look interesting too. Hopefully a compilation dvd will come out sooner or later.

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Trailer:
http://www.youtube.com/watch?v=PrPmV4VByCw

More info
http://theaterpictureworks.ti-da.net/c140755.html
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Re: Recent and not so recent Japanese dramas

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Ordered a bunch of interesting looking stuff... Tojiru hi (A Closing Day), Zeitaku na hone (Luxurius Bone), Ame no tsubasa (see trailer), and 20th Century Nostalgia. Will try to post more about them once I've received and watched them.

Some other interesting looking films

Life (Shin Sasaki)
available on oop R2J
http://getafilms.com/geta/data/l/Life/Life.html

Double Suicide Elegy (Toru Kamei)
available on R2J
http://getafilms.com/geta/data/d/Double ... y/DSE.html

Boys on the Run (Daisuke Miura)
available on R2J
http://www.youtube.com/watch?v=rnFhga_jfj8
http://search.japantimes.co.jp/cgi-bin/ ... 205a1.html

My Feelings Inside (Ayato Matsuda)
available on R2J
this one doesn't look so good, but it sounded a bit interesting and the trailer was a bit difficult to locate so I post it here
http://vision.ameba.jp/watch.do?movie=1587214 (trailer)
http://getafilms.com/geta/data/o/OnnaGo ... okoro.html (trailer here not working)

And from the pink-genre a few potential pseudo-pink films. I'm not really interested in pink films, but the genre includes a load of films that actually aren't pink at all, just sold as such.

Cream Lemon - Another Day of Ami (Shinya Nishimura)
available on R2J
The 1st one is great, by Nobuhiro Yamashita. It's not a pink film at all. This 4th shows some promise too.
http://getafilms.com/geta/data/c/CL_Mat ... anohi.html

The Suicide Chain (Rei Sakamoto)
available on R2J, sold to R1 also but not announced
http://www.pinkeiga.com/films/the-suicide-chain/
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Re: Recent and not so recent Japanese dramas

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Ame no tsubasa (2008)

A girl who loves rain. A boy who loves the girl. 35 minute running time. Cinematic perfection!

Every once in a while you discover a movie that reminds you that there are indeed directors who are not completely lost. Filmmakers, that don’t need the feel to cripple their movies twists and melodrama. Directors, who believe in image and sound.

Ame no tsubasa was born in unusual but inspired way. United Cinema held a writing competition, with the theme being rain. The winning story was adapted into a movie screenplay. Next, Kumami composed the soundtrack in prior to the shooting. Director Naoto Kumazawa assembled the film based on the music. Kumami later returend to provide live soundtrack to limited theatrical screenings.

Most of the film takes place on high school rooftop. The film comes with minimal flaws. The male lead (Takuya Ishida) is a bit rough. I don’t care. Kumazawa uses digital cinematography to achieve grainy yet breathtakingly honest hyper-reality. Colors, details, and rain dominate. The camera is occasionally brought so close that the protecting cinematic lens between the viewer and the cast disappears. Kumazawa achieves images of “pure”.

Ame no tsubasa is one of the most beautifully shot movies I have ever seen. It is the reward for all the hard hours spent on looking for Japanese cinematic gems.

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The R2J comes with a 25 minute making of. Theatrical trailer is found at the end of it. The package also includes a 16 page photo booklet.

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Re: Recent and not so recent Japanese dramas

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Birthright (Saitai)

Terrible taglines and posters, unpromising subject, the trailer nevertheless looks intriguing:
http://www.youtube.com/watch?v=ao7bA1xn2zc

- http://www.saitai-film.com/index_e.html
- http://www.elevenarts.net/Feature/Titles/Birthright/

Festival screenings so far, dvd presumably sometime this year.

via AVManiacs / Sheldon Warnock

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The director's previous film, Hikari sasu umi, boku no fune (ヒカリサス海、ボクノ船 ), doesn't look that good, though:
http://video.jp.msn.com/watch/video/...B7%A8/1m4w8h3o
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Re: Recent and not so recent Japanese dramas

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Soredake (2008, 26 min)
http://www.youtube.com/watch?v=zwusaf1Y8xY

This film by Hiroshi Inagawa (born 1985) looks absolutely beautiful. Bet it's one of the best films of 2008. Fingers crossed it will receive a dvd release some day.

English:
http://shinsedai-fest.com/films/thats-a ... -soredake/

Japanese:
http://web.mac.com/akop_hi/iWeb/HIROSHI/Top.html
http://d.hatena.ne.jp/iwana00/
http://www.tamajin.jp/degiorigi/?w=11&n=00010

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Re: Recent and not so recent Japanese dramas

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20th Century Nostalgia (20 seiki nostalgia) (1997)

A video message from the 20th century!

Two high school students set out with video cameras to capture the life in the mid-1990’s Tokyo on film in Masato Hara’s sought after cinematic feast. Inspired by? Nobuhiko Obayashi. Gave inspiration to? Probably Hideaki Anno.

20th Century Nostalgia is a two way movie. The already nostalgic present day that faded but colorful, like an old movie, with backgrounds looking almost like paintings or models. Cut to harshly beautiful video camera footage painted in blue. On top of it, it’s an idol movie. In principle, at least.

Just turned 15 at the beginning of the production, the late 90’s idol and current quality actress Ryoko Hirosue stars in her first film role. A summer vacation film project was nearly completed, only short of ending, and editing. What would this world look like to a space traveler from the future?

The thin red line between idol film and art house can sometimes be fuzzy. Same with innovative cinema and pop art explosion free of coherent form. The mainstream viewer’s burning questions is: is it ethically right to call 20th Century Nostalgia "a movie"?

Hara’s video camera footage is cinematic heroin. He lets the characters do the cinematography for him, often with Hirosuse and co-star Tsutomu Marushima shooting themselves with handheld camera. The following year’s Love & Pop (Hideaki Anno, 1998) is the closest comparison.

But the two are worlds apart. Anno’s darkly themed enjou kousai exploration is a technical bravura playing the game at pop-culture’s own rules. Revealing, revolutionizing. Hara’s energy comes from the heart. His camerawork is a side product of the film’s characters. They run, dance, and sing – yes, Hirosue was a pop idol after all – and do all that while holding a camera. It’s silly, childish, Obayashimish, thoroughly charming.

Hara picked the newcomer of the year award for his work. That was ironic – Hara’s been active behind the camera since 1968 when Art Theater Guild and Tokyo Film Festival awarded his 12-minute student film. After more than a dozen productions along the years, 20th Century Nostalgia was his first financial film project. But great did not come easy. The filming kicked off in August 1995, only to be suspended for a long time and eventually finished in 1997.

For those looking for a deep analysis on an era, 20th Century Nostalgia may not be one to search for. Commentary is there, but thankfully as supporting element. A director should provide the viewer with the questions, not the answers. But all this can be beside the point if so preferred: Hara’s film can be enjoyed as a purely visual journey.

The structure is uneven. One of the main characters walks out of the story halfway into the film. The project is left in the air. This is true to the entire movie. The most mesmerizing material comes during the first half. The rest of the film is good, but suffers in comparison, partly due to change of tempo.

The criticism is justified, yes. But, the inspiration! During its best moments 20th Century Nostalgia nearly forces the viewer out of the movie room and to the streets to film one’s own movies. Its impact is enormous. The world just might be a better place if 35 millimeter filmmaking was banned. Don’t you think so?

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(screencaps from Pioneer R2J)
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Re: Recent and not so recent Japanese dramas

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Ryoko Hirosue in 20th Century Nostalgia: Infinity

Since 20th Century Nostalgia is one of the most inspiring movies ever made, you may feel one DVD release is not enough. That’s why there’s another disc available, called Infinity. But first, let’s look at what the 2002 Deluxe Edition DVD by Pioneer comes with.

The film is presented in anamorphic widescreen, with an excellent transfer. No subtitles, of course. The extras are limited but not bad. Aside the original trailer, there’s a 29 minute making of documentary. The making of is not revolutionary by any means, but you do get to see:

Ryoko smile
Ryoko smile more
Ryoko laugh and smile
Ryoko look cute while laughing and smiling.

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In other words, this is quality supplement. The film’s songs are played constantly on the background, and you get plenty of behind the scenes footage.

If you can’t find the Pioneer DVD but instead come across the Geneon dvd, then don’t worry, all signs tell me you’ve got the exact same product with different publisher logo. The catalogue number being the same, I’m convinced the Geneon DVD is a re-issue of the Pioneer disc that I own. There’s a third release out there, too, the original 1998 Happinet / Daiei release. This DVD comes in jewel case, and reportedly features Laserdisc transfer. Any listing I could find only specifies bonus materials as 10 minutes of “something”. I see no reason to hunt down this disc. All of the 20th Century Nostalgia releases are out of print, including Infinity.

Ryoko Hirosue in 20th Century Nostalgia: Infinity is making of DVD released by Pioneer the same time as their feature film DVD. Infinity does not feature the film, but instead comes with the following content:

Making of movie (57 min)
Making of movie 2 (11 min)
Making of movie 3 (20 min)
Theatrical Trailer
4 Page booklet

What you get is three more documentaries, and the same theatrical trailer that is on the film disc, except non-anamorphic this time. Infinity is purely a fan product – the documentaries are nothing too special. Of course, you get plenty of more Ryoko footage, behind the scenes footage, opening day footage, press conference etc. But even through idol megane this disc isn’t especially exciting. The 29 minute documentary found on the film disc actually comes with a lot of same footage as Infinity.

Here's some of the best stuff from Infinity:

Kantoku Hara-kun
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Ryoko sleeping
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Kantoku receiving massage from Ryoko
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For hard core Ryoko fans, yes, it would be a good purchase. It’s also a rare chance to see director Masato Hara at his art. He comes across as a real nice guy. But then again, the most important stuff can also be found on the film disc.

Still, it is kinda nice to have as a collector’s item considering what a gem the film itself is.

Here's some release arts

Original Daiei release, picture stolen from the web

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2002 Pioneer release
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Infinity + booklet
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Re: Recent and not so recent Japanese dramas

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Never Ending Blue (終わらない青) looks somewhat interesting. Love the stills and the visual style of the trailer, but may drown in tragic drama. Nevertheless, worth keeping an eye on.

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Directed by first timer Takaomi Ogata. The film stars Maki Mizui, who has become one of my favorite people working in film industry. She's Yoshihiro Nishimura's assistant, actress, super-cutie, and she ran off from her manager to watch Tetsuo 3 in cinema alone. Her age is a national secret. I even forgive her for being part time AV star. I just pray to God she hasn't been / won't be involved in Noburo Iguchi's AV's.

Before Never Ending Blue her most notable appearance was Mutant Girls Squad, in which she played Atro Mutant. See the Sushi Typhoon thread for more Maki-chan.

Site:
http://paranoidkitchen.com/movie/nevere ... index.html

Trailer:
http://www.youtube.com/watch?v=P02N2wGuXAI

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Re: Recent and not so recent Japanese dramas

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wow, Hiroki's new film Keibetsu ( 軽蔑) has a great trailer:
http://www.keibetsu.jp/

via nipponcinema

Ann-chan! I can't believe my eyes :o :D

But damn, this one looks great. I have skipped the last few Hiroki films, but he used to be one of the most interesting directors.

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Re: Recent and not so recent Japanese dramas

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Abed: Hatachi no koi looking better than the title had me expecting
http://www.nipponcinema.com/trailers/ab ... oi-trailer

If they don't play that song until the end credits, and keep the storyline to the minimum, this could be good.

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Re: Recent and not so recent Japanese dramas

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Yuya Ishii's 2009 film Kimi to arukou (君と歩こう) will finally be released on R2J June 24th.

Trailer: http://www.youtube.com/watch?v=YL-r6C9u8WQ

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Re: Recent and not so recent Japanese dramas

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Kyoto Story (京都太秦物語, 2010, Yoji Yamada, Tsutomu Abe)
Not a Yamada fan, but lovely streetcar shots here, if nothing else.
http://www.ritsumei.ac.jp/eizo/kyotosto ... ailer.html

Lost and Found (2008, Nobuyuki Miyake).
This looks semi-nice.
http://www.gr-movie.jp/lost/lost5_trailer.html

Lost Paradise in Tokyo (ロストパラダイス・イン・トーキョー, 2009, Kazuya Shiraishi).
This one looks rather great. Hoping for and looking forward to dvd release.
http://lostparadise.seesaa.net/
http://www.youtube.com/watch?v=L4IVarl2TcU

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Re: Recent and not so recent Japanese dramas

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Kyojima 3rd St., Sumida City (墨田区京島3丁目) (2010)

First things first, Kota Yoshida’s Kyojima 3rd St., Sumida City is the best film of 2010. Simple is beautiful.

Yoshida’s been enjoying critical success since his 2006 debut Coming with My Brother (Oneechan, otouto to iku). The drama-comedy was well received in Japan, and also screened internationally at the Nippon Connection film festival in Frankfurt. The follow-up, Yuriko’s Aroma, wasn’t completed until in 2010 after the director had recovered from a stroke. The film followed a woman falling in love with a high school kid, or, the scent of his sweat to be exact. Nippon Connection awarded the film with the Nippon Digital award, despite Yoshida stumbling into a pool of drama cliché after a promising start.

Yoshida’s most recent work Kyojima 3rd St., Sumida City came to be from film magazine Hoga Holic’s initiative. Hoga Holic is web publication dedicated to promoting independent movies. Yoshida was asked to film something in Sumida City, Tokyo, where Hoga Holic is based. Yoshida delivered a charming 30 minute story of a school girl who tries to shoplift a cosmetics product from a small store. She gets caught, which leads into a lengthy conversation with the shop owner.

Yoshida’s film is made up of four scenes. It’s not original in terms of structure, but relies on acting, screenwriting, and cinematography. It’s beautiful filmmaking with no heavy moralizing or melodrama, just an interesting fraction of life in Sumida City. And Yoshida couldn’t possibly have found better actors for the film. With this cast and writing even the usual “shop owner telling a story” scenario works like heaven.

Masafumi Seki’s wonderful cinematography stands out especially in the outdoor scenes – the opening and closing . Most of the film takes place in two indoor locations, though. Seki uses elegant long takes, and often keeps the camera in small movement, without ever attempting dumb tricks. Director Yoshida also has visual eye, as Yuriko also came with some eye catching images. In Kyojima 3rd St. the visuals are supported by a sparsely used but excellent soundtrack (by Arakajime kimerareta koibitotachi e).

Kyojima 3rd St., Sumida City is a wonderful example of the treasures found in the Japanese indie film scene, and unfortunately, rarely see the light of day on DVD even in their native country. One can only hope Yoshida’s humane gem will gain more visibility in after its Nippon Connection screening, where it was screened together with two other Hoga Holic movies, Tuesday Girl, and A Demon Has Come.

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Re: Recent and not so recent Japanese dramas

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HungFist wrote:wow, Hiroki's new film Keibetsu ( 軽蔑) has a great trailer:
http://www.keibetsu.jp/

via nipponcinema

Ann-chan! I can't believe my eyes :o :D

But damn, this one looks great. I have skipped the last few Hiroki films, but he used to be one of the most interesting directors.

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Review:
http://pageofmadness.wordpress.com/2011/05/13/keibetsu/

Can't wait to see this
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Re: Recent and not so recent Japanese dramas

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Coming Future (Shinka) (進化) (2010)

Japanese independent cinema has never been doing better! Japanese independent cinema has never been doing worse! Certainly, it has never been like this before.

For years now the most interesting Japanese cinema has come from either indie side or small genre film factories. Rarely discovered by masses, it has lead to a misbelief that Japanese cinema has lost all its bite. The real problem, however, is not in the lack of talent but in its inability to live up to its full potential. It’s a global phenomenon that multiplexes are killing off small arthouse theaters, leaving indie films homeless. The problem may be even worse in Japan where business is highly networked, and quality alone isn’t enough to buy your film public screening time. Getting a movie into distribution can prove a real challenge. And that’s only after one has miraculously come up with a budget to shoot a film in the first place. Director Kyuya Nakagawa’s Coming Future was born from the lack of budget.

Nakagawa is a young man who knows the industry. He has worked as an assistant director for Sion Sono, and as a sound technician for Yuya Ishii, Yoshihiro Nishimura, and Koji Shiraishi. Nakagawa’s aim for 2009 was to direct a movie of his own. When financing could not be found, he decided to get off to the street of Tokyo to make a zero-budget documentary on the state of Japanese independent cinema, jishu eiga. And capture a piece of living Tokyo on digital video while he’s at it.

Coming Future is not your typical documentary. It lacks traditional narrative, and was shot essentially without screenplay. Rather than exploring dying cinemas or explaining sad facts about filmmaking realities Nakagawa goes for a walk with his filmmaker pals – Tetsuaki Matsue (Live Tape, 2009), Koji Shiraishi (Shirome, 2010), Satoko Yokohama (German + Ame, 2006), Nobuhiro Yamashita (Ramblers, 2003), etc. It’s Christmas Eve, with Japan’s most interesting young filmmakers discussing their profession on the streets of neon filled Shibuya. The outcome is interesting.

With only limited planning applied, Nakagawa’s aim was to allow his quests to add their own personal flavor to their sections. Rebel director Kenji Onishi does this best. Carrying 8 mm camera with him, he frequently stops to film footage he could use in his upcoming movies. Coherence may not be this man’s specialty, but does such thing matter? Art doesn’t doesn’t need to have rules, and Onishi hates patterns such as watching movies from the beginning. Starting from the middle in more interesting, he states.

Onishi is a filmmaking dinosaur in the sense that he’s still shooting on film. Most indie filmmakers in Japanese these days shoot on digital, Nakagawa included. It’s far more economic, and good enough to produce movie theater level material. No doubt this has saved Japanese indie cinema from practical extinction. Yet filmmakers struggle. Even past indie champ Nobuhiro Yamashita, who had his mainstream success with films like Linda Linda Linda (2005), got stuck with TV shows and idol videos. There was just no one to finance a single movie project for him after Tennen kokekko (2007). That being said, 16 months after Coming Future Yamashita finally has his new film in theaters, a mainstream production none the less (My Back Page, 2011).

Nakagawa’s film is not only about filmmakers, though. He manages to surprise the viewer on a few occasions (those wishing to avoid minor spoilers and save the surprise may wish to skip this paragraph). He runs into pole dancer Cay Izumi (Sushi Typhoon regular) running guerilla show on the streets. The best moment comes when he drops indie films entirely and goes interview American G.I’s and Japanese schoolgirls about random things. It has nothing to do with the main topic, but it’s refreshing filmmaking. Like Onishi said, the strength of jishu eiga is that it’s not bound by established cinematic rules, but, at its best, has the possibility to do something unexpected. These parts further tie Coming Future into its time and environment, making it more of a zeitgeist than it would be without them.

Coming Future is not a film for grand audiences, but for those interested in Japanese jishu eiga it’s is a cool 90 minutes with some of the most interesting filmmakers in Japan. These kinds of movies have very small audience, but there’s always someone who will go see them. For filmmakers, it’s a rough business, though. No one ever got laid by making jishu eiga, Nakagawa complained at the Nippon Connection screening! Good luck to Mr. Nakagawa for finding a girlfriend!

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- trailer: http://www.youtube.com/watch?v=FLa2CtOYgLg
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Re: Recent and not so recent Japanese dramas

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I’m a little bit interested in the Seishun H series. Some of the films look bad, others look interesting. These kind of projects are always interesting (Love Cinema, Love Collection and Fullmotion come to mind).
http://www.artport.co.jp/movie/seishun-h/

So far most interesting looks Toshiro Enomoto’s Saikai (再会)
http://www.youtube.com/watch?v=fX5cT7UdweI#t=1m25s (begins from 1:25)
DVD release date: 2011/6/25

Also of some interest are Cho akunin (超・悪人) for being directed by Koji Shiraishi
http://www.youtube.com/watch?v=aOylxRthyiE
DVD release date: not announced

and Toshiki Sato's Ichijiku kobachi (イチジクコバチ) for starring Maki Mizui
http://www.youtube.com/watch?v=oRryapi289Y#t=1m13 (begins from 1:13)
DVD release date: 2011/3/26

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Edit: Kishu Izuchi's Pilania (ピラニア), which is laready available on dvd, also looks potentially good:
http://www.youtube.com/watch?v=ehTbAd0SRtY
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Re: Recent and not so recent Japanese dramas

Post by HungFist »

HungFist wrote:
HungFist wrote:wow, Hiroki's new film Keibetsu ( 軽蔑) has a great trailer:
http://www.keibetsu.jp/

via nipponcinema

Ann-chan! I can't believe my eyes :o :D

But damn, this one looks great. I have skipped the last few Hiroki films, but he used to be one of the most interesting directors.

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Review:
http://pageofmadness.wordpress.com/2011/05/13/keibetsu/

Can't wait to see this
Schilling review:
http://search.japantimes.co.jp/cgi-bin/ ... 603a1.html
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Re: Recent and not so recent Japanese dramas

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The Rise and Fall of the Unparalleled Band (Aosugita Guilty) (青すぎたギルティー) (2010)

More or less successful band films keep merging from Japan on a regular basis. The genre is favored by mainstream audiences for understandable reasons: it enables bringing handsome idols and hit music to the screen. The results have often been less than admirable, but every now and then someone hits the target, like Nobuhiro Yamashita did with his crowd pleaser Linda Linda Linda (2005). Unknown director Wataru Hiranami tries something different. He has made an indie film about indie band.

The Guilties are a legend! They don’t actually exist, but that hasn’t kept Hiranami from making a semi-authentic movie about them. The unknown cult favorites are introduced to the viewer by a Nepalese narrator (the director’s friend who was in a need of work!) as if they were a real band. The documentary introductions do, however, soon take a back seat as the fictional film kicks off. Following the birth of the band’s sole album, the storyline is divided into chapters named after songs found on that record.

There are various good thing about The Rise and Fall of the Unparalleled Band, most importantly, its structure. Ignoring the most traditional story narrative, Hiranami presents the band’s history in short, 5-10 minute fragments centering on particular fun or remarkable events. The film takes a form that is something between sketch collection and story film, effectively allowing the viewers to do some thinking on their own. It’s a good example of how disjointed form can actually add something to a relatively standard storyline.

Director – writer Hiranami has come up with some excellent characters. The definite highlight is the guitarist, Tanaka (Kento Hosoda), on the run from ‘That 70’s Show’ and given up on verbal communication for “unspecified reasons”. He does all his communication by his guitar. His fellow musicians don’t pale in comparison either, although the party does go downhill towards the end when new characters are introduced. Hiranami has not fully understood that not every storyline has to follow established dramatic conventions – not even if the film was called The Rise and Fall of the Unparalleled Band.

Despite some overly familiar story twists during its second half The Rise and Fall of the Unparalleled Band never ceases to entertain. Some credit has to be given to the slightly harsh and grainy digital cinematography that, perhaps almost accidentally, breaths fresh air into the movie. With an additional layer of visual realism and intimacy even the more cliché character drama comes out a tiny bit more innovative. This is more than welcome, as overly polished disco-band films have been seen excessive amounts already. Hiranami here walks the quieter path – his band never even enters the stage!

The Rise and Fall of the Unparalleled Band is not a remarkable movie by any means, but for its narrative and visual outlook alone a pleasing new contender in its genre. Good characters, various fun scenes, and breezy visuals easily compensate for some of its less inspired character drama. There isn’t much music to be heard, but the nice little band has received a nice little movie to tell their story. Even if they don’t really exist.

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Screencaps from the trailer:
http://www.youtube.com/watch?v=kvntncCHVpM
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Re: Recent and not so recent Japanese dramas

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Mole’s Festival (Mogura no matsuri) (土竜の祭) (2009) & Muddy Planet (Doro no wakusei) (泥の惑星) (2010)

Kishû Izuchi is a 40-some filmmaker with directorial experience since the 1990’s. He better known as a screenwriter, though, for having scripted films for directors such as Takahisa Zeze (Kokkuri, 1997, Hysteric, 2002). In the recent years Izuchi has been frequently collaborating with film school student. His self founded indie movie movement Eiga Ikki is an organization created to distribute and promote the works of Izuchi and his collaborators.

Mole’s Festival is a 50 minute movie written and produced by Izuchi in collaboration with the students of Film School of Tokyo. The mystery style storyline follows three young women working as personal assistants and care takes for an elderly man. The old man’s only spark in life is the hope of finding his granddaughter, gone missing two years ago, alive. A hired private detective hands in his monthly report until one day it turns out no detective ever existed! The female trio takes as it their responsibility to discover the truth and what happend to all the payments.

Izuchi is well experienced in filmmaking, but not much of it is visible in Mole’s Festival. It’s technically competent enough, yes, and nothing is outright wrong about it, but it feels lifeless – like a student film without enthusiasm. With relatively predictable storyline and one-dimensional characters there doesn’t seem to be much reward for watching the film. The only true point of interest would it being based on true story – partly. That’s not much to build on, to be honest.

Next Year’s Muddy Planet is thankfully a notable improvement. This time characters are played by the students of Japan Academy of Moving Images. The high school set 53 minute drama film centers around ordinary students in their everyday activities – one spends her nights looking at the sky, the other is oracticing trumpet, and a whole lot is scrabbling in mud as a part of their agriculture studies. Any drama bigger than a random crush on opposite sex is not to be found, which is only welcome.

Muddy Planet is a nice little movie slightly reminiscent of Shunji Iwai’s more easy going efforts (as both director and screenwriter). Screenwriter Daisuke Tengan (of the semi-mainstream The Most Beautiful Night in the World (2007) fame) provides good platform for the film, and there isn’t anything bad to say about Izuchi’s directing, either. Were he a debut director he’d be a name to write down after this movie. By no means an exceptional film, Muddy Planet is nevertheless a nice showcase for its young actors, all giving pleasing performances in a storyline that doesn’t attempt to be anything bigger than life. Tech credits are sufficient, making room for the players rather than stealing attention. For its actors the film should make a very decent business card, and a nice little viewing for everyone else.

Mole's Festival
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Muddy Planet
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Izuchi triple feature trailer for Rhinoceros horn, Mole's Festival and Muddy Planet:
http://www.youtube.com/watch?v=bWfmYvyzGnQ
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Re: Recent and not so recent Japanese dramas

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Recently I've been running into more interesting films than I can keep track of...

Let’s-Make-The-Teacher-Have-A-Miscarriage-Club (先生を流産させる会) (2011)

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"Five school girls get very disturbed when they notice their teacher’s pregnancy. In the ruin of an old Love Hotel they found the “Let’s-Make-the-Teacher-Have-a-Miscarriage Club”. The class-room becomes the scene of cruel intrigues until the conflict escalates. The drama is based on a true story and the girls are featured by normal junior high school girls."

My Nippon Connection no.1 miss-bummer (sorry, experimental English). Trailer looks visually great, otherwise dubious to say at least, but interesting for sure. Against all odds, it received positive feedback from everyone I asked about it.

Director: Eisuke Naito
JP Trailer: http://www.youtube.com/watch?v=Ub0an2NqptY
Int. Trailer: http://www.youtube.com/watch?v=YnH9sau1BCQ

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When you love and when you are loved (Aisuru toki aisareru toki) (愛するとき、愛されるとき) (2010)

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After the grand great Heaven's Story Takahisa Zeze is back to arthouse pink. God knows this director is uneven, even within singular movies. This film looks interesting, like mixture of Heaven's Story, A Gap in the Skin, and Hysteric. Released as a part of Toei's Love and Eros Cinema Collection.

Trailer: http://jfdb.jp/en/title/2575
Series site: http://www.love-eros.net/
DVD: Toei disc out July 21, 2011. Rated R-18.

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Rhinoceros horn (Sai no tsuno) (犀の角) (2009)

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This is another Eiga Ikki movie by Kishu Izuchi, made in collaboration with the students from the Acting Department at the Japan Academy of Moving Images. The trailer doesn't look that promising but has a few nice shots, plus I like the promo pics and poster. Running time: 53 min.

More info: http://jfdb.jp/en/title/2613
JP info: http://spiritualmovies.lomo.jp/sai.html
Izuchi triple feature trailer: http://www.youtube.com/watch?v=bWfmYvyzGnQ

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Unbright (アンブライト) (2011)

This movie I don't know anything about, but the poster caught my attention. Eriko Tomioka stars with Miku Chiba from Muddy Planet. 75 min, shot HDV, compared to Akihiko Shiota by someone, directed by a 23 year old guy calling himself Raita Kuramoto (real name 倉本雷大)

twitter: http://twitter.com/#!/UNBRIGHT2011
Director's blog: http://ameblo.jp/raitax7/

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