Sukeban Deka: The Movie (Japan, 1987) – 3/5
It's ironic that Sukeban Deka's movie versions have been widely distributed in the west, while the TV shows - that are essential for understanding the films - have never been brought outside Asia. On the other hand, yo-yo armed schoolgirls that are never thoroughly introduced to the viewer should offer an enjoyably confusing experience for new viewers. The film brings together the cast of the second series (Minamino, Yoshizawa and Sagara) and adds Yui Asaka from the third series. Unfortunately the supporting characters are heavily under-used, the potentially delicius Minamino-Asaka comparison is ignored, and even Sagara's hair is wrong. Nevertheless, seeing the old cast tother again is a lot of fun, as are the numerous references and the new super yo-yo. Sukeban Deka: The Movie doesn’t compare well against the iconic – even epic – television shows, but it's an enjoyable over-the-top film on its own.
Sukeban Deka: Counter-Attack of the Kazama Sisters (Japan, 1988) – 4/5
Hideo Nakata's second try at Sukeban Deka silver screen adaptation is an unexpected success. Taking place after the end of the third season, the film takes a completely new direction. Sukeban Deka activity has been closed down and replaced with special forces armed with razor blade yo-yo's... Counter-Attack of the Kazama Sisters is much darker than any of the adventures before it – rather ironic considering Asaka is the most adorable of the three sukeban deka's – being both violent and displaying a close future vision that even reminds of Paul Verhoeven's sci-fi movies. Compared to the first film Kazama Sisters is better focused, less over-the-top and notaby punchier. Hiroyuki Nagato's extended role also comes as a positive surprise as this is one of the few times we get to see him outside of his office.
Yo-Yo Girl Cop (Japan, 2006) – 2/5
The original Sukeban Deka was made in a time when idols could act and sing. Kenta Fukasaku's new film stars Aya Matsuura, who does act and sing - and has released a great foot massage video - but doesn't convince as Asamiya Saki one bit. Rather, her performance is unintentionally funny and enjoyable. The same applies to director Fukasaku, except that his 'million cuts with slowmotion, flashbacks and a random black and white image' - directing is not quite as funny. The yo-yo action is mostly in cgi, falling far behind Yui Asaka's genuine yo-yo art in excitement. However, the new film is not entirely without merits. Against all odds the great Hiroyuki Nagato is not dead but back and looking exactly the same as he did 20 years ago. Yuki Saito also pays a brief visit, and Riki Takeuchi gives a likable performance, although that's partly because most actors surrounding him make even small acting talent shine.
Clean yourself of Fukasaku memories with a clip from SDIII:
http://www.youtube.com/watch?v=PuFu3Dte-1I&fmt=18