Yakuza Weapon (Japan, 2011) – 2/5
Cult-house Sushi Typhoon misfires with an attempted Versus beater. The old gang is back, minus director Kitamura, but times have changed. Loaded with CGI and over-the-top humor, the film ridicules itself to the point of boredom. Unlike true trash classics that retain a certain level of pseudo-seriousness, Yakuza Weapon is an on-your-face action comedy made for audiences that normally wouldn’t get the joke. The saving grace is occasional strong action bits choreographed by Yuji Shimomura, and Tak Sakaguchi’s nutty yakuza performance.
- in more detail: viewtopic.php?f=1&t=5826
Underwater Love (Japan, 2011) – 4/5
A pink musical shot by the world’s most famous cinematographer, scored by a German-French pop-duo, and decorated with special effects by Japan’s most celebrated make-up/splatter maestro, isn’t quite the most usual sight. Of course, Underwater Love isn’t that much of a real pink film, but a German co-financed oddity that brings together Shinji Imaoka, Christopher Doyle, Stereo Total, and Yoshihiro Nishimura. The outcome is unexpectedly successful – an honest love letter to silly cinema, and a lovely fantasy romance with catchy musical numbers. Energetic performances and stylish visuals add to the film that was shot in only four days. A small gem of j-kitsch, but not a hipster product, although bound to be mislabeled as such by the less educated audiences.
- in more detail: viewtopic.php?f=1&t=5992




